Thursday, February 12, 2015

The Official YDJ 2015 Oscar Ballot

Here's the 2015 Your Daily Joe Oscar ballot. This single sheet includes the complete list of nominees, checkboxes to track the winners, and special notations so you can see how well Your Daily Joe did at predicting the winners.

Click below to view, download (PDF format), and print out the ballot for the Feb. 22 telecast.


Click here to download


A very special thanks goes out to Helby's Hatch for designing this beautiful ballot! Visit Helby's Hatch for more original designs, patterns and crafts.

Monday, February 9, 2015

Best Director / Best Picture Splits

This year, I'm predicting a split between the Best Director and Best Picture Oscar wins. If I'm right, that will be three consecutive years of a Best Director / Best Picture split. Three consecutive years!

If that doesn't sound crazy to you, then you're probably a decade or so younger than me and it was somewhat normal by the time you started watching the Oscars. When I was growing up, not only did this almost never happen, but it was a scenario that just didn't make sense. After all, wouldn't the best movie have to be made by the best director? Doesn't it take the best director to create the best movie?

During my lifetime, the Director / Picture split has happened eight times; and really only six times since I was old enough to pay attention to the Oscars. In 1999, when I was a teenager and only a few years into adopting the persona of "film buff," it was cataclysmic when Spielberg won Best Director for Saving Private Ryan but Best Picture went to Shakespeare in Love.

In the 15 years since, there have been five Director / Picture splits -- fully 1/3 of the time. In the '80s, it only happened twice. In the '70s, once. The '60s, once.

But when you look back before the '60s, you start to notice that this was much more common. In fact, in the '30s -- the first full decade that the Academy Awards existed -- it happened 50% of the time! So I suppose this nothing more than a return to form.

Here's the list of every Best Director / Best Picture split in Oscar history. The years shown are the release years of the movies themselves; they received their awards the following year.


2013
12 Years a Slave won Best Picture
Alfonso Cuaron won Best Director for Gravity

2012
Argo won Best Picture
Ang Lee won Best Director for Life of Pi

2005
Crash won Best Picture
Ang Lee won Best Director for Brokeback Mountain

2002
Chicago won Best Picture
Roman Polanski won Best Director for The Pianist

2000
Gladiator won Best Picture
Steven Soderbergh won Best Director for Traffic

1998
Shakespeare in Love won Best Picture
Steven Spielberg won Best Director for Saving Private Ryan

1989
Driving Miss Daisy won Best Picture
Oliver Stone won Best Director for Born On the Fourth of July

1981
Chariots of Fire won Best Picture
Warren Beatty won Best Director for Reds

1972
The Godfather won Best Picture
Bob Fosse won Best Director for Cabaret

1967
In The Heat of the Night won Best Picture
Mike Nichols won Best Director for The Graduate

1956
Around the World in 80 Days won Best Picture
George Stevens won Best Director for Giant

1952
The Greatest Show on Earth won Best Picture
John Ford won Best Director for The Quiet Man

1951
An American in Paris won Best Picture
George Stevens won Best Director for A Place In the Sun

1949
All The King's Men won Best Picture
Joseph L. Mankiewicz won Best Director for A Letter to Three Wives

1948
Hamlet won Best Picture
John Huston won Best Director for The Treasure of the Sierra Madre

1940
Rebecca won Best Picture
John Ford won Best Director for The Grapes of Wrath

1937
The Life of Emile Zola won Best Picture
Leo McCarey won Best Director for The Awful Truth

1936
The Great Ziegfeld won Best Picture
Frank Capra won Best Director for Mr. Deeds Goes to Town

1935
Mutiny on the Bounty won Best Picture
John Ford won Best Director for The Informer

1931 / 32
Grand Hotel won Best Picture
Frank Borzage won Best Director for Bad Girl

1930 / 31
Cimarron won Best Picture
Norman Taurog won Best Director for Skippy

1928 / 29
The Broadway Melody won Best Picture
Frank Lloyd won Best Director for The Divine Lady

1927 / 28
Wings won Best Picture
COMEDY = Lewis Milestone for Two Arabian Knights
DRAMA = Frank Borzage for 7th Heaven

Thursday, February 5, 2015

2015 Oscar Predictions

Well, I guess I'm officially an old man now. Throughout 2014, my most frequent reaction to the theatrical releases on any given day was, "None of this looks any good." Okay, grandpa, why don't you go ahead and have a seat in this rocking chair?

That sounds nice, actually. Does it have a foot rest?

Yes, my movie attendance was low this year. Probably the lowest since my pre-teen years. But the movies I did see are likely to remain all-time favorites. And to my surprise, they were some of the top nominees for the Oscars this year.

Take The Grand Budapest Hotel, for example. I loved that movie. It's probably in my top three favorite Wes Anderson movies, and was easily one of my favorite movies from last year. Anderson has not typically been recognized by the Academy, nor is March -- when Grand Budapest hit theaters -- a typical month for awards contenders. But here it is, tying with Birdman for most nominations!

And speaking of Birdman, that's far and away my favorite Iñárritu movie, and the kind of movie Michael Keaton fans have been waiting over 15 years to see him in again.

So I've got clear favorites this year. Who will actually win? Let's see if we can guess...

Best Sound Editing
  • American Sniper, Alan Robert Murray and Bub Asman
  • Birdman or (The Unexpected Virtue of Ignorance), Martín Hernández and Aaron Glascock
  • The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
  • Interstellar, Richard King
  • Unbroken, Becky Sullivan and Andrew DeCristofaro
Best Sound Mixing
  • American Sniper, John Reitz, Gregg Rudloff and Walt Martin
  • Birdman or (The Unexpected Virtue of Ignorance), Jon Taylor, Frank A. Montaño and Thomas Varga
  • Interstellar, Gary A. Rizzo, Gregg Landaker and Mark Weingarten
  • Unbroken, Jon Taylor, Frank A. Montaño and David Lee
  • Whiplash, Craig Mann, Ben Wilkins and Thomas Curley
What's the difference between these two categories? Think of it like this. Sound editing used to be called sound designing. Just as the costume designer plans the style and gathers the raw material for costumes, the sound designer plans what the movie will sound like and gathers the "raw material" (dialogue, effects, music). Sound mixing is what happens when you imagine the person sitting at that big console, sliding the levels up and down.

Although brainy sci-fi movies like Interstellar have a good track record of winning for sound editing, war movies tend to do even better... especially highly-regarded ones. I think American Sniper will win for Sound Editing.

And while it's possible for Sniper to double up with editing and mixing, I'm predicting Birdman will take the award for Sound Mixing, with it's blending of the drum-based score, v.o. layer of Michael Keaton, transitions between single-take sequences, and dynamic shifts between on-stage and off-stage action.

Best Visual Effects
  • Captain America: The Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
  • Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
  • Guardians of the Galaxy, Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
  • Interstellar, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
  • X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer
Three years ago, I lost points in this category for predicting Rise of the Planet of the Apes; Martin Scorsese's Hugo won that year instead. Well, there ain't no Scorsese movie this year. But there is a Christopher Nolan. If you consider Interstellar to be this year's Gravity, then you should bet on that. But my fool-me-twice pick is Dawn of the Planet of the Apes. That effects work really needs to be recognized.

Best Costume Design
  • The Grand Budapest Hotel, Milena Canonero
  • Inherent Vice, Mark Bridges
  • Into the Woods, Colleen Atwood
  • Maleficent, Anna B. Sheppard and Jane Clive
  • Mr. Turner, Jacqueline Durran
This is a tough call. Colleen Atwood is an Academy favorite. Grand Budapest has the momentum of all those nominations. But Mr. Turner, with its down-to-earth period realism (think of recent winners like Anna Karenina and The Artist), is my best guess.

Best Makeup and Hairstyling
  • Foxcatcher, Bill Corso and Dennis Liddiard
  • The Grand Budapest Hotel, Frances Hannon and Mark Coulier
  • Guardians of the Galaxy, Elizabeth Yianni-Georgiou and David White
I'll just come right out and say it: this is definitely the category I'm least qualified to pick. Guardians is probably too high-profile. And while Foxcatcher could win for the facial reconstruction of Steve Carell, I think Grand Budapest will win for its range (high- and low-class society, prisoners, people out in the cold, aging makeup on Tilda Swinton).

Best Live Action Short Film
  • "Aya" Oded Binnun and Mihal Brezis
  • "Boogaloo and Graham" Michael Lennox and Ronan Blaney
  • “Butter Lamp (La Lampe Au Beurre De Yak)” Hu Wei and Julien Féret
  • “Parvaneh” Talkhon Hamzavi and Stefan Eichenberger
  • “The Phone Call” Mat Kirkby and James Lucas
Look, I hate to sound cynical about the whole thing, but death (and suicide in particular) tends to score in this category. Add to that the recognizable cast -- who certainly deliver strong performances -- and "The Phone Call" looks like the probable winner.

Best Animated Short Film
  • “The Bigger Picture” Daisy Jacobs and Christopher Hees
  • “The Dam Keeper” Robert Kondo and Dice Tsutsumi
  • “Feast” Patrick Osborne and Kristina Reed
  • “Me and My Moulton” Torill Kove
  • “A Single Life” Joris Oprins
Disney's "Feast" is the most adorable and emotionally accessible of the group. Its Annie Award win bolsters the likelihood that it will win here. (Just don't make the mistake of saying, "It's Disney, of course it'll win." Disney and Pixar have been overlooked in this category in all but one year this decade.)

Best Film Editing
  • American Sniper, Joel Cox and Gary D. Roach
  • Boyhood, Sandra Adair
  • The Grand Budapest Hotel, Barney Pilling
  • The Imitation Game, William Goldenberg
  • Whiplash, Tom Cross
The time-spanning Boyhood is anchored by its seamless transitions which manage to propel you through time and quickly orient you to where you are.

Best Original Song
  • “Everything Is Awesome” from The Lego Movie, music and lyric by Shawn Patterson
  • “Glory” from Selma, music and lyric by John Stephens and Lonnie Lynn
  • “Grateful” from Beyond the Lights, music and lyric by Diane Warren
  • “I’m Not Gonna Miss You” from Glen Campbell… I’ll Be Me, music and lyric by Glen Campbell and Julian Raymond
  • “Lost Stars” from Begin Again, music and lyric by Gregg Alexander and Danielle Brisebois
I want to say it's a no-brainer for "Everything Is Awesome" to win this award. Then again, I would have said it was a no-brainer for The Lego Movie to win Best Animated Feature, until it didn't get nominated. Still, "Everything Is Awesome" is far and away the biggest original song from any movie in 2014. It's gotta win.

Best Original Score
  • The Grand Budapest Hotel, Alexandre Desplat
  • The Imitation Game, Alexandre Desplat
  • Interstellar, Hans Zimmer
  • Mr. Turner, Gary Yershon
  • The Theory of Everything, Jóhann Jóhannsson
Alexandre Desplat could end up splitting the vote between himself and winning neither. But I'm expecting the score for Grand Budapest Hotel will pull ahead for the victory.

Best Production Design
  • The Grand Budapest Hotel - Production Design: Adam Stockhausen; Set Decoration: Anna Pinnock
  • The Imitation Game - Production Design: Maria Djurkovic; Set Decoration: Tatiana Macdonald
  • Interstellar - Production Design: Nathan Crowley; Set Decoration: Gary Fettis
  • Into the Woods - Production Design: Dennis Gassner; Set Decoration: Anna Pinnock
  • Mr. Turner - Production Design: Suzie Davies; Set Decoration: Charlotte Watts
The whimsical take on the prewar period of Grand Budapest should be irresistible voters.

Best Cinematography
  • Birdman or (The Unexpected Virtue of Ignorance), Emmanuel Lubezki
  • The Grand Budapest Hotel, Robert Yeoman
  • Ida, Lukasz Zal and Ryszard Lenczewski
  • Mr. Turner, Dick Pope
  • Unbroken, Roger Deakins
Some voters may be turned off by the presumed gimmickry and flashiness of Birdman's one-take conceit. And there's some extremely strong competition in this category, which makes it really difficult to call. (Seriously, each of these movies is beautiful for different reasons, and you should watch them all.) But I think Birdman has the edge.

Best Animated Feature
  • Big Hero 6, Don Hall, Chris Williams and Roy Conli
  • The Boxtrolls, Anthony Stacchi, Graham Annable and Travis Knight
  • How to Train Your Dragon 2, Dean DeBlois and Bonnie Arnold
  • Song of the Sea, Tomm Moore and Paul Young
  • The Tale of the Princess Kaguya, Isao Takahata and Yoshiaki Nishimura
It's still mind-boggling that The Lego Movie wasn't nominated here. In light of that, Dragon 2 has been on a winning streak, and it seems like that's what we should expect on Oscar night.

Best Foreign Language Film
  • Ida, Poland
  • Leviathan, Russia
  • Tangerines, Estonia
  • Timbuktu, Mauritania
  • Wild Tales, Argentina
Ida has all the momentum here, and with few exceptions, that's usually the way you can expect the win to go.

Best Documentary Feature
  • CitizenFour, Laura Poitras, Mathilde Bonnefoy and Dirk Wilutzky
  • Finding Vivian Maier, John Maloof and Charlie Siskel
  • Last Days in Vietnam, Rory Kennedy and Keven McAlester
  • The Salt of the Earth, Wim Wenders, Juliano Ribeiro Salgado and David Rosier
  • Virunga, Orlando von Einsiedel and Joanna Natasegara
CitizenFour -- a documentary about Edward Snowden from the only journalist who had full access to him before and after he went public -- is pretty much the definition of a sure thing.

Best Adapted Screenplay
  • American Sniper, Jason Hall
  • The Imitation Game, Graham Moore
  • Inherent Vice, Paul Thomas Anderson
  • The Theory of Everything, Anthony McCarten
  • Whiplash, Damien Chazelle
There's a strong possibility that Whiplash could win this one, and you might pull ahead in your Oscar pool if you go with that. But with the strong debut and staying power of American Sniper, not to mention the ongoing controversy which is keeping it fresh in everyone's mind, I'm picking it for the win here.

Best Original Screenplay
  • Birdman or (The Unexpected Virtue of Ignorance), Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo
  • Boyhood, Richard Linklater
  • Foxcatcher, E. Max Frye and Dan Futterman
  • The Grand Budapest Hotel, Wes Anderson & Hugo Guinness
  • Nightcrawler, Dan Gilroy
Despite Grand Budapest tying for most nominations this year, I'm not anticipating a best picture win. But I do think that it will win this one as a nod to its overall quality.

Best Supporting Actor
  • Robert Duvall, The Judge
  • Ethan Hawke, Boyhood
  • Edward Norton, Birdman or (The Unexpected Virtue of Ignorance)
  • Mark Ruffalo, Foxcatcher
  • J.K. Simmons, Whiplash
J.K. Simmons all the way. His performance in Whiplash is all anyone has been talking about since the movie's Sundance premiere in January 2014. (Seriously, for the entire year of 2014, not a single person has had a conversation that wasn't about J.K. Simmons in Whiplash.

Best Supporting Actress
  • Patricia Arquette, Boyhood
  • Laura Dern, Wild
  • Keira Knightley, The Imitation Game
  • Emma Stone, Birdman or (The Unexpected Virtue of Ignorance)
  • Meryl Streep, Into the Woods
Likewise, Patricia Arquette is the standout among these nominees. Boyhood is nearly as much about her as it is about the boy.

Best Actor
  • Steve Carell, Foxcatcher
  • Bradley Cooper, American Sniper
  • Benedict Cumberbatch, The Imitation Game
  • Michael Keaton, Birdman or (The Unexpected Virtue of Ignorance)
  • Eddie Redmayne, The Theory of Everything
Although Eddie Redmayne won the SAG award for individual achievement, keep in mind that Birdman won for best ensemble. I think the Academy loves Michael Keaton. I think they've been waiting a long time to give him this award; all they needed was the right performance in the right movie. Birdman was it. Keaton will win.

Best Actress
  • Marion Cotillard, Two Days, One Night
  • Felicity Jones, The Theory of Everything
  • Julianne Moore, Still Alice
  • Rosamund Pike, Gone Girl
  • Reese Witherspoon, Wild
It's easy to criticize the Academy for being suckered in by "Oscar bait" material, such as someone suffering a degenerative disease. But Julianne Moore brings humanity and reality to this story of a woman experiencing Alzheimer's disease.

Best Director
  • Birdman or (The Unexpected Virtue of Ignorance), Alejandro G. Iñárritu
  • Boyhood, Richard Linklater
  • Foxcatcher, Bennett Miller
  • The Grand Budapest Hotel, Wes Anderson
  • The Imitation Game, Morten Tyldum
Boyhood is an impressive achievement, a notion most people would have dismissed as soon as they thought of it. A production spread out over 12 long years during which any number of things could have gone wrong, making the movie impossible to complete. But things didn't go wrong. The movie did get completed. And somehow it turned out great! A successful meditation on growing up and growing old, the way things change and the way they stay the same. The way a decision echoes through time.

And there's one person who gets the credit for not dismissing the notion, but for following it. And for following through on it. And for keeping it on track logically and emotionally over the course of a 12-year start-and-stop production cycle. Richard Linklater will win Best Director.

Best Picture
  • American Sniper, Clint Eastwood, Robert Lorenz, Andrew Lazar, Bradley Cooper and Peter Morgan, Producers
  • Birdman or (The Unexpected Virtue of Ignorance), Alejandro G. Iñárritu, John Lesher and James W. Skotchdopole, Producers
  • Boyhood, Richard Linklater and Cathleen Sutherland, Producers
  • The Grand Budapest Hotel, Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson, Producers
  • The Imitation Game, Nora Grossman, Ido Ostrowsky and Teddy Schwarzman, Producers
  • Selma, Christian Colson, Oprah Winfrey, Dede Gardner and Jeremy Kleiner, Producers
  • The Theory of Everything, Tim Bevan, Eric Fellner, Lisa Bruce and Anthony McCarten, Producers
  • Whiplash, Jason Blum, Helen Estabrook and David Lancaster, Producers
But will Boyhood win Best Picture? I'm not prepared to take that as a given. It's taken some hits in its second wave of criticism, and I think many Oscar voters will second guess the way they initially felt about it.

Meanwhile, Birdman took its criticism right up front, but endured as a movie that was exhilarating and left people thinking. Personally, I've had numerous debates around the office about Birdman. Number of times we've talked about Boyhood: 0.

Not to bash Boyhood. I thought it was great. And hey, I'm not about to complain about any awards show that has Richard Linklater, Wes Anderson, Michael Keaton, and Laura Dern as nominees. (This '90s boy is jumping for joy on the inside.) But we're not strictly talking about what's great, we're talking about what's going to win. And I think Birdman is going to win.



So that's my take. What are your predictions?

Like millions of others, I'll have asinine comments about the telecast that I'll be posting on Twitter. Be sure to follow me @yourdailyjoe. The 87th Academy Awards ceremony will air on February 22, 2015 at 8:30 eastern/5:30 pacific on ABC.