Monday, April 27, 2015

Hollywood Babylon

It should come as a surprise to no one that I'm somewhat obsessed with TV and movies, and am therefore always up for a good story about Hollywood. I've recently found myself digging into several excellent Hollywood stories -- some factual, some fictional. This is one I highly recommend.


The first time I saw a Kenneth Anger film was early on in film school. When it was over and the lights came up in the screening room, a classmate yelled out from a few rows up: "So is our textbook gonna be 'Hollywood Babylon'?"

"Hollywood Babylon." That title sounded familiar, but I knew nothing about it.

Turns out that's the perfect way to find out about "Hollywood Babylon." Slowly. Vaguely. Talked about in questions rather than statements. Nobody knowing exactly what it's supposed to be, or where it came from, or why. It becomes mythic in your mind.

Kenneth AngerThe legend grew from there. It was a book that Anger had written. It was supposedly deplorable. A scandal rag. A scummy, bottom-feeding, rumor-mongering pile of trash rife with inaccuracies, so why would you even want to read it?

According to lore, it had been banned at one point. So how could you not want to read it?

But probably the biggest reason it commanded my interest was its inaccessibility. I couldn't find it anywhere! For several years, it was the first thing I'd look for in any bookstore I entered. I'd flip through the dusty card catalogues of neglected libraries. I'd check the Harlequin-riddled basement shelves of great-aunts. Where was this thing? Was it even real?

As time went by, it started to fade from my mind. Eventually, I stopped looking for it altogether. It was a dead subject.

All of that changed, however, on a recent re-watching of Wonder Boys. James Leer, the character played by Tobey Maguire, is an aspiring novelist obsessed with classic Hollywood. In one scene, his college professor (Michael Douglas) marvels at all the overdue library books James keeps in his room. Among the stack: "Hollywood Babylon."

The quest for that book came rushing back to my mind, so I decided to give it one last try. Would I finally be able to find it?

Yeah. Real easy. Turns out it's available for sale everywhere now. You can't stop people from trying to sell you that book.

So after 15 years of on-again/off-again hunting, I finally have a copy. And how is it?

Scummy. Bottom-feeding. A rumor-mongering pile of trash. Factually suspect.

And I love it.

Bow, Gilbert, Thomas, Arbuckle
First of all, Anger's writing is a guilty joy - breezy, crisp, biting, catty, and witty; essentially what I'd expect from the guy who made this.

Second... I just plain love this stuff, and I don't know why. I've always loved a good Hollywood story. I've never even seen a single Fatty Arbuckle film (which I could probably change just by going to YouTube right now); but the dude did some wild living, and I don't need to be a fan to want to know all about that.

The fact that much, if not most, if not all of "Hollywood Babylon" is inaccurate doesn't bother me. Even if these stories aren't true, they still represent a certain reality: the real rumors and gossip that the "film colony" (as Anger likes to refer to it) was spreading about itself at the time. That has value. It helps you get a fuller picture of What It Was Like Back Then. Fatty Arbuckle might have been cleared of any wrongdoing; but if you'd been having drinks with Buster Keaton and Harold Lloyd while Arbuckle was on trial, this is what they would've told you they'd heard.

I'm very happy to have finally had the chance to read this thing. I only wish that, instead of buying a fresh new print, I could have found an old, crinkled, mildew-splotched copy up in some attic or at a garage sale. I'm thinking I'll fling my copy to the back of the garage and forget about it. To whoever finds it at some unknown point in the future: You're welcome.

Monday, April 20, 2015

You Must Remember This

It should come as a surprise to no one that I'm somewhat obsessed with TV and movies, and am therefore always up for a good story about Hollywood. I've recently found myself digging into several excellent Hollywood stories -- some factual, some fictional. This is one I highly recommend.


Billing itself as an exploration of the secret and/or forgotten histories of Hollywood's first century, "You Must Remember This" is a storytelling podcast featuring familiar characters in unfamiliar circumstances.

Each week (with occasional hiatuses), creator-writer-narrator Karina Longworth delves into the life of a prominent figure from Hollywood's past, bringing to light some of the more obscure aspects of their biographies.

Dispensing with cradle-to-grave narratives, Longworth typically hones in on a few specific years from her subjects' lives, wrapping her stories around definitive relationships or a significant work (Bacall after Bogart; Streisand's "A Star Is Born").

One of the most appealing aspects of this series is the balance between the well-known and the unknown. Take Frank Sinatra, for example. Nearly 20 years after his death, he remains a prominent figure in popular culture. But how many people are aware of his triple album "Trilogy: Past, Present and Future," the last 40 minutes of which find him singing about visiting each of the planets in our solar system? It happened!

Some episodes are one-offs, while others are grouped into thematic miniseries (such as "stars during times of war," which has dominated the podcast for most of this year so far). But each episode tells a self-contained story, making it easy to jump in at any time.

"You Must Remember This" is a priority listen for me; as soon as it downloads, I hit play.

Click here for the official website.

To subscribe on iTunes, click here.

Monday, April 13, 2015

The Fade Out

It should come as a surprise to no one that I'm somewhat obsessed with TV and movies, and am therefore always up for a good story about Hollywood. I've recently found myself digging into several excellent Hollywood stories -- some factual, some fictional. This is one I highly recommend.

My current favorite comic book series, "The Fade Out" comes from all-star comics writer Ed Brubaker (who, among many notable projects, wrote the "Winter Soldier" storyline that 2014's "Captain America" movie was based on) and artist Sean Philips.

Dabbling once again in the noir territory he frequents, Brubaker sets his story in 1948 Los Angeles. Screenwriter Charlie Parish wakes up to discover himself in the middle of an apparent murder scene, the victim being an up-and-coming actress with a role in Charlie's next movie. Fleeing the scene, Charlie becomes guilt-ridden when he realizes the movie studio is portraying it in the media as a suicide. Unable to let it be, Charlie and his alcoholic writing partner get in over their heads as they attempt to uncover the truth.

This series is only five issues in and, if you haven't been reading it already, now is the perfect time to jump in. The first volume containing issues 1 - 4 is out now.

But I'd recommend seeking out the single issues. In addition to the great story being told, each issue is packaged with excellent peripheral material including additional artwork and -- my personal favorite -- a true story from Hollywood's past (such as the Fatty Arbuckle trials, or the Hollywood sign suicide). Even the fan letters are well-curated by Brubaker. Packed with outstanding material, each issue is a great read from cover to cover.